《诱惑学校》1.

该(🛒)(gāi )片(piàn )是以现在(🔻)的 商(💋)界奇才(😮)(cái )“史玉柱”为原型(🚻)人物(🤝)(wù )的(de )创(🚩)业 故事进行多次(🧐)改(gǎ(🚀)i )编(biān )而(🥕)成(chéng )。

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?

工厂停工，张(🎷)金(jīn )生无(wú(🚢) )处可去，他独自一(🤥)(yī )人在(zài )工(🌃)厂徘徊，一段古(gǔ(🛋) )怪的(de )声音把(♓)他引入另一(yī )个(😓)世(shì )界，那里(🎵)时而漫天(tiān )大雪(🗽)(xuě )，时而寂静(🙉)荒凉，他看(kàn )到了(🏰)不同的(🎳)自己(👒)。

Feeling disconnected with her teenage son, a protective mother decides to step outside of her comfort zone and take him camping. But as soon as she arrives, she begins butting heads with her handsome cabin neighbor, a single father and outdoorsman who is also in search of a connection with his teen daughter. Friction soon sparks a flame as these opposites attract. Stars Danica McKellar and Paul Greene.@

因流(liú )感感染的(🚺)死者突(🗾)然(rá(♟)n )复活(huó )，变成丧尸开始疯(🧀)狂撕(🤶)(sī )咬(yǎ(🥤)o )活人，被咬后的活(🛒)人(ré(📶)n )纷(fēn )纷(🎬)变成丧尸，一场末(😲)(mò )日(🤕)(rì )丧尸(🎸)之战自此开始...

大(🔂)学(xué )毕业(yè(🥜) )没工作的晓丽，跟(📕)(gēn )父亲(qīn )生(🐉)活在一起，整天(tiā(📭)n )闲在(zài )家里(🍇)玩游戏看漫画(huà(🗡) )，四(sì )体不勤(💳)，非常懒散(sàn )。根(gē(🏥)n )据秋冬春夏(🕥)四季变(biàn )换的(de )自(😛)然规律，影片(🔜)讲(jiǎng )述了(le )晓丽是(🏟)如何一(🎟)步步(📝)(bù )走出(chū )家门勇敢走向(🌾)社会(🐧)(huì )的......

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.