《无尽的爱》7.

女演(yǎn )员蜜拉参加她的(de )最后一(yī )次试(shì )镜(🈳)。试(👲)镜(🍟)地点是(🍱)(shì(🈴) )在(🎠)远郊(jiāo )的破(pò )旧古宅里。蜜拉同其他(tā )五位(wèi )女演员及经(🦌)纪(🎍)人(🧘)一起(🚱)来(👻)(lá(🌡)i )到(🌆)这(zhè )里，并结识了新片的剪(jiǎn )辑师(shī )翟立川。很快，杀人事(shì(🍐) )件(📕)发(🍛)(fā )生(👋)，女(📈)演(🔒)员(⏺)接二连三遇(yù )害。蜜拉与翟立川一边寻找(zhǎo )出口(kǒu )，一边遭(🍵)遇(🙂)各(😪)种奇(🧐)异(🛳)怪(📕)(guài )事及同(tóng )伴的(de )死亡。在一次突(tū )发事件(jiàn )后，蜜拉与翟立(🌩)川(🌎)失(👎)(shī )散，并(👅)(bì(🤺)ng )遇(🦆)见(jiàn )了被绑在献祭架(jià )上，奄(yǎn )奄一(yī )息的孕妇山岸莞优(🖼)，莞(🎏)(wǎ(🌲)n )优请(qǐ(🕉)ng )求(➗)蜜(📦)拉帮她找到药品止(zhǐ )血，并提示她小心翟立川。蜜拉(lā )在寻(🛀)药(💯)过(🥠)程中(📄)发(🤢)现(🛄)了(🤳)翟(zhái )立川(chuān )的真面目，遭到他疯狂(kuáng )追逐(zhú )……

故事讲述(🔕)了(🎂)围(⚾)绕著(📮)(zhe )朝(😍)鲜(😒)(xiān )时(shí )代，历史中没有记录(lù )的一夜(yè )中，国王护卫「名剑(jià(📎)n )手(🍴)」金(jī(👘)n )浩(🕰)与(🚦)(yǔ )谋反武士之间惊(jīng )心动魄(pò )的对(duì )决。

An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II

伊格内修是(shì )中(🌙)产(🚮)阶(🎷)(jiē )级，他(👳)经(🎎)营(🌚)着一家自己餐厅(tīng )，并(bìng )且铁腕管理。因此与员(yuán )工不(bú )断(🐿)产(🧓)生(🧐)摩擦(🛵)，尤(👃)其(🥩)是(🎶)和(hé )厨师(shī )。一次，员工没打算联(lián )手设(shè )局反抗他，然而事(🤬)情(✖)却(🥚)(què )并(🦄)没(🙅)(mé(✨)i )有按照计划中进行...

54岁的(de )凉子(zǐ )（中山美穗 饰）是一名(míng )小(💣)说(🛁)家(jiā )，一(👥)(yī(⤵) )天(⛰)，她突然被医(yī )生诊断(duàn )患上(shàng )了阿兹海默症，面对可(kě )怕(🦎)的(🌲)(de )病(⛔)魔，凉子(🏹)决(⛸)定(🎷)(dìng )利用自(zì )己所(suǒ )剩不多的时间，完成她(tā )人生(shēng )中的最(🌂)后(🏸)一(🧢)部小(🛠)说(➕)。在(🔹)(zà(♿)i )写小(xiǎo )说之余，凉子在大学里(lǐ )担任(rèn )讲师的职务，一次下(🛸)课(🏵)(kè(🦎) )后，凉(🐦)子(👕)和(🦍)学(⛴)生们来到居酒(jiǔ )屋小(xiǎo )聚，在那里邂逅了名为(wéi )昌海(hǎi )（(🚄)金(🌍)材昱 饰(👚)）(⬜)的(👱)韩国留(liú )学生。

On the highways of Mississippi, a psychotic priest and his brother are on a crusade to absolve sinners with their own brand of murder.

It tells the story of Kim who lives with her overprotective parents and meets Jayson online. She then ends up moving to Seoul and starts a new life.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.