都(📹)说男(🌜)人一有钱就变坏(🔄),女人一变坏就有(🌛)钱,这句话(huà )用在(💛)张宝(bǎo )文和他的(🎒)(de )秘书身上绝(jué )对(🅱)合适。张宝文原(yuá(🚸)n )本有(🔞)一个(gè )非常(💈)好的(🔋)(de )前程和家(jiā(🍉) )庭,但(💸)是(shì )他却不珍(zhē(🅰)n )惜,与自(zì )己的秘(🐕)书走(zǒu )到了一起(🛍)(qǐ )。这一段(duàn )办公(🎠)室的(de )恋情导致(zhì(🔃) )了张宝文(wén )在事(🐰)业上(🕐)(shàng )和家庭上(📨)(shàng )彻(🛰)底破碎(suì )。秘(🥄)书的(🈸)贪(tān )婪最终(🔊)落(luò(🧛) )到过街老(lǎo )鼠人(✊)人喊(hǎn )打的地步(🐁)。当张宝文重新回(🙈)归家庭的时候,一(⌚)个熟悉的面孔站(🎳)在(zài )了门口挡(dǎ(🚗)ng )住了(🚲)他的视(shì )线(🤖)。
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🍓) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
《人尽皆(jiē )知》讲述(🎍)(shù )了定居在(zài )阿(🚓)根廷的(de )西班牙裔(🍭)(yì )女子劳拉(lā )和(❇)她的丈(zhàng )夫及孩(👡)子回(huí )到西班牙(🚯)(yá )小镇参加(jiā )姐(🎈)姐的(🗝)婚(hūn )礼,然而(🍬)(ér )孩(💈)子却莫(mò )名(🛁)失踪(🛠),这一突发(fā )事件(🥎)使得(dé )原本和谐(🧝)的(de )家庭开始(shǐ )互(🦈)相猜疑(yí ),尘封许(🎏)(xǔ )久的秘密逐渐(🦉)浮出水面……
阿(🧠)黛尔和她的母亲(🚑)孔查(⛅)生活在城郊(🅿)的(de )一(🤒)个贫民(mín )窟里。孔(🥋)查(chá )的丈夫是(shì(🥔) )个可恶的(de )暴徒,他(👊)(tā )使母女俩(liǎng )长(🐄)期生活(huó )在暴力(🗑)和(hé )虐待之中(zhō(📮)ng )。对此忍(rěn )无可忍(🐰)的孔(😻)(kǒng )查决定不(⛅)(bú )顾(📞)一切风(fēng )险(🤨),偷走(📍)(zǒu )一大笔钱(qián ),并(🧙)带着(zhe )女儿阿黛(dà(🌖)i )尔逃离。不幸的是(🗃)(shì ),她们在出(chū )逃(🏸)中被发(fā )现了。在(♋)(zài )追捕过程(chéng )中(💇),孔查却意外地驾(⛪)车撞(🔈)死了丈夫…(🍀)…这(😜)场逃离注定是一(🥏)次冒险(xiǎn ),而母女(⛔)(nǚ )俩竭尽全力(lì(💡) ),才能挣(zhèng )脱一直(😍)禁(jìn )锢她们的(de )牢(🎂)笼。在(zài )这段跨越(🥃)(yuè )生命的寓(yù )言(🥒)中,力(👪)(lì )量、困难(🔊)(nán )、(🕝)爱的希望(wà(🈁)ng )、机(😢)会和(hé )死亡如影(🚜)(yǐng )随形。
不(bú )管这(🚶)导演(yǎn )嗑了什么(🚹)(me )很纯的,全部都要(😘)(yào )给你来一(yī )点(🍜)!在澳洲(zhōu )这座曾(🤰)经(jīng )被称作「无(⌛)主之(🎌)地(dì )」(Terra Nullius)(🐊)的(de )大(🏅)陆,历史以前所未(💢)见的观点重新诠(🌖)释:当《疯狂麦斯(📜)(sī )》末日场(chǎng )景成(🌪)为难民(mín )拘留地(🎩),食人羊成(chéng )为反(🔘)殖民(mín )叛乱份子(🌿)(zǐ ),《沙(🐚)漠(mò )妖姬》与(👝)(yǔ )电(🍯)视剧《请喜欢(🌀)我(wǒ(🕙) )》有了跨时(shí )空的(😜)酷儿(ér )对话……(🚉)本片以近(jìn )似DJ取(🥐)样混(hún )音之拼贴(🗡)(tiē )手法,打(dǎ )开了(👊)虚构(gòu )与史实间(😧)(jiān )的神秘黑洞(dò(🥥)ng ),大量(🏼)援(yuán )引电影(🖍)名(mí(😙)ng )场景与历(lì )史典(🖇)故,穿越时空与各(😾)种语境,重写、改(🍗)写、乱写,全面毁(📽)坏观(guān )众的三观(🔍)(guān )!这是一部(bù )政(⛰)治复仇(chóu )预言,杂(🐀)(zá )揉(🛷)讽刺喜(xǐ )剧(🤣)、生(👄)态(tài )恐怖与(🦓)公(gō(🧜)ng )路电影类(lèi )型,写(🌨)下(xià )澳洲国族(zú(🍣) )神话从未被(bèi )纪(🚬)录的史(shǐ )诗篇章(📞)。
当格洛克(kè ) (马蒂(📘)·施(shī )密特-夏勒(🐧)(lè )饰)点燃一(yī )个(😖)臭名(📭)昭(zhāo )著的皮(🥏)条(tiá(🕌)o )客的SUV时,他(tā )被抓(🐹)住并(bìng )被拍摄了(🖱)(le )视频。他(tā )设法离(🏭)开(kāi )后,视频仍在(💿)网上疯传。他自发(🔲)地加入了一个通(🚭)过互联(lián )网认识(🕞)的(de )辍(🍧)学者小组(zǔ(🚑) )。他们(🎠)寻(xún )找着弗(🎭)里(lǐ(📻) )德里希,这个人住(😸)(zhù )在山区,并宣称(📑)自(zì )己的未来(lá(🤷)i )会身处大(dà )自然(🤪)的怀抱(bào )之中。一(📞)(yī )开始,格(gé )洛克(🚙)、朱(zhū )蒂丝、斯(🧀)(sī )特(📂)菲、埃(āi )利(🎍)亚斯(🔉)和(hé )保罗只感(gǎ(⏸)n )受到了满(mǎn )满的(⌚)自由和(hé )幸福,他(🛶)(tā )们觉得弗(fú )里(🍔)德里希(xī )的愿景(🙊)可(kě )以实现。
《水族(🥟)魂1944》电影取材于上(🖇)世纪(🎬)40年代抗日战(📯)争日(🐺)(rì )本投降前(👉)(qián )夕(🍣),发生在(zài )贵州三(✳)都(dōu )水族自治(zhì(🍠) )县九阡镇(zhèn )的真(👳)实历(lì )史事件。编(🌳)剧多次(cì )实地采(🖥)风(fēng )走访,在(zài )走(👙)访了当年(nián )亲历(🏂)者和(🐎)(hé )掌握大量(🔽)(liàng )的(🦂)史实资(zī )料后,通(🕒)(tōng )过写实的(de )手法(🌸)再现(xiàn )了当年水(📙)(shuǐ )族人民英(yīng )勇(🏺)抗击日本(běn )侵略(⛱)者的(de )故事,体(tǐ )现(🛩)了中国(guó )人民抗(🕎)击(jī(🛍) )侵略者的决(🍭)心,谱(🛌)写了一曲贵(🍘)州少(🚍)数民族人民抗击(📸)日本(běn )侵略者的(🐀)(de )英雄赞歌!《水族魂(♉)(hún )1944》这部电(diàn )影在(🍧)抗日(rì )战争爆发(🔊)(fā )80余年后的(de )今天(🗨)推出(chū ),其真正(zhè(🐎)ng )意义(🔔)于中(zhōng )华民(🔸)族抗(🍌)战(zhàn )有益,更(gèng )是(📆)贵州抗(kàng )战历史(🕯)上(shàng )不可磨灭(miè(👉) ),是光辉(huī )灿烂,浓(🚬)(nóng )墨重彩的(de )一笔(🕙),对(duì )贵州少数民(🏎)(mín )族抗战的(de )肯定(⬜)和宣(🐴)(xuān )扬有着重(🔶)(chóng )要(⛰)的作用(yòng )。