赤松陽構(💽)造による「(🧙)菊(🔹)とギロチン -女相撲(🌱)とアナキス(🤙)ト-」ロゴ。
ア(🎳)イ(🙌)ドルグループ「五(🤥)反田アプリ(🥪)コッツ」の(😲)研(🤞)修生として日夜稽(🌦)古に励む茉(🥨)莉(🖊)花。芸能界で生き抜(📤)くための競(🔦)争(zhēng )の厳し(🚑)さ(🐼)や、気が強い他の(✨)メンバーと(♐)の関係、そ(🧡)し(💒)てヒモ彼氏との満(🕰)たされない(🔟)SEXー。悩みの尽き(🐾)ない彼女の前に、(⏭)ある日突然(💡)降(🏭)ってきた一冊のノ(🦂)ートは「名(❄)前を書いた(📬)相(🈂)手から愛されるよ(👦)うになる」(🔞)と書き記さ(🌖)れ(📏)た伝説の魔導書‘(🎞)ラブノート(👴)’(🍋)だった。半信半疑の(🕖)まま茉莉花(🔃)(huā )は衝動的(🅱)に(🌀)彼女が密かに思い(🏚)を寄せてい(🍫)たイケメン(👽)振(🍃)付師の名前を書い(😦)てみたとこ(😜)ろ、たちまち(🏠)彼から愛の告白、(⛰)即ベッドイ(🐲)ン(📛)。だが、彼との幸せ(🏀)な日々は長(🎒)くは続かず(🏙)…(✝)。
The nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...
执笔过电(diàn )影《逆鳞(🔞)》的崔成贤作(😾)家的导演处(🐦)女(🎀)作,讲述已经风采不(🕗)再的拳击选(🐧)手出身的哥哥和(hé )有(🔤)着肢体(tǐ )障(👗)碍的天才钢(🍎)琴(🏺)家弟弟之间的故事(😧),李秉宪饰演(🕙)哥哥,朴正民(🖋)饰(🗜)演弟弟,尹汝贞饰演(♊)(yǎn )妈妈一角(🙀)(jiǎo ),韩志旼将(😥)帮(😴)助朴正民的角色。电(🥎)影由CJ投资发(😧)行(🦔),5月末开拍。
一天,霍夫(➖)曼穿越到了(🏧)(le )自己笔下(xià(⚡) )的(📱)奇幻童话世界里。为(🌝)了躲避步步(🔺)逼近的阴谋(😞),他(🤔)不得不与虚构的坏(🌇)人斗争,守护(📰)自(zì )己的爱情(qíng )和爱人。
Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@