遭到(dào )友人(🦉)設局而欠下大筆(🦏)債務的張父,逼(🗂)不(🏸)(bú )得已(yǐ )帶著(🥠)一(🧛)家(🗳)(jiā )四口承租(zū )花(🙎)蓮的一處 凶宅,此(🥦)處過(guò )去曾發生(🚝)(shēng )了駭人聽(tī(🤥)ng )聞(🕍)的五子(zǐ )命案。初入(🚡)凶宅的當天,一些(😄)若有(yǒu )似無(wú )鬼(🖊)影(yǐng )幢幢,加(jiā(🐾) )上(👔)張父突(tū )如其來的(🎈)搬家舉動,惹的(de )張(❓)母(mǔ )與大(dà )姊心(👾)裡不(bú )愉快。即(🍌)(jí(🤮) )使向張父抱怨(🎠),鐵(🌥)齒(♟)的張(zhāng )父以一貫(🏗)(guàn )不信(xìn )鬼神(shé(🗝)n )的態度,予以拒(🥍)絕(🍲)(jué )。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
在贝鲁特一(🕦)个(😐)街(🥓)角的咖(kā )啡店(dià(🕘)n )二楼(lóu ),有一面(mià(👐)n )大大的转(zhuǎn )角窗(🦔)和一台电视机(🏙),一(💹)位(wèi )78岁的退伍(wǔ )将(📄)军和一(yī )位81岁的(🖐)退(tuì )伍军医每天(🛐)早上都会在这(🕣)里(🐿)碰面,看着(zhe )街角(jiǎo )车(🆎)来人往(wǎng ),做着填(😔)(tián )字游戏,以此对(🔑)抗阿茨海(hǎi )默(🤽)综(😩)(zōng )合症(zhèng )。伴随(🥃)两(🥁)(liǎ(📕)ng )位老人的(de )玩笑和(🚹)字谜,咖啡馆的顾(🎢)(gù )客纷纷登(dē(🚼)ng )场(🦉)。本片(piàn )用发生(🌄)在(👢)(zà(🤴)i )一个社会(huì )小角(⏲)落16天之内的一系(⛺)列事(shì )件,四两(liǎ(🚉)ng )拨千斤地(dì )讨(🤡)论(😧)了人(rén )生、政治、(🏉)历史等话题;通(🛋)过单场(chǎng )景多幕(💾)剧(jù )的结构让(🕕)(rà(🌉)ng )人感受到老人们的(✅)孤独,以及疾病(bì(🐝)ng )带来(lái )的苦(kǔ )涩(🖱),同时(shí )映射出(🉐)黎(✊)(lí )巴嫩暴力事(🚛)件(🍨)肆(😚)虐的现状(zhuàng )。以(yǐ(🤰) )小见(jiàn )大,令人(ré(😿)n )回味。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
在父亲(🅾)去(📟)世后,亚伦回到(🔅)(dà(🕌)o )家中帮助(zhù )他悲(bē(😼)i )痛欲(yù )绝的母亲(🌠)(qīn ),并直面(miàn )他的(🐔)过去,而在处理(🛋)后(🈶)事(shì )的过(guò )程中(zhō(🎞)ng ),他发现(xiàn )了一个(🏃)神(shén )秘的骨灰龛(🌊),而这背后还(há(🕶)i )隐(🚧)藏着更(gèng )加可怕(👡)的(🔟)(de )东西.....
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
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