20世纪(jì )福克斯最(zuì )近(⭕)买下(🆎)了Alma Katsu下(xià(🐆) )部(bù )小说《饥饿(è )》(The Hunger)(🏠)的电(🔁)影(yǐng )版(🍶)权,这部小说以《行(háng )尸(🚇)走肉(📸)》的(de )风(fē(🥂)ng )格叙述了北(běi )美历史(🤢)上最(⏹)恐(kǒng )怖(🧕)的一段(duàn )“食人”历史(shǐ(🆗) )。
Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.
鲁妮(🍒)·玛(mǎ(🎣) )拉加盟布拉迪(dí )·科(🚞)贝特(⛽)执导的新片《光之声》(Vox Lux,暂(zàn )译),格(🦂)莱美(😟)(měi )提(📓)名女歌手Sia将(jiāng )为(🚁)该片创(👙)作歌(😦)曲。新片(piàn )将采用65毫米(💙)(mǐ )大(dà )格式(🎍)胶片拍(pāi )摄、70毫米大(🍍)格(gé(🌸) )式胶片(🍣)放(fàng )映。故事讲(jiǎng )述(shù(👡) )从1999年(😑)至现在(🔠)(zài )十余年间,一(yī )个经(🦏)历动(🐥)乱浩劫(😾)的女人(rén )如何摇身一(👉)(yī )变(Ⓜ)(biàn )成了(✊)超级明(míng )星。影片将于(🐏)(yú )2017年(🍿)2月开拍(🌲)(pāi )。
2033年,一名少(shǎo )女受困(📦)在一(🔅)(yī )間神祕的孤兒(ér )院。她穿越(💅)時空(🍪)回到(🆗)了(le )過去,尋找(zhǎo )自(🍏)(zì )己的(💧)親生(🏠)父(fù )母,企圖要改(gǎi )變(😜)過往、扭轉(🤧)未來,或(huò )許,她的人(ré(😬)n )生(shē(😔)ng )將有不(🦖)同的(de )發展。
從高峰(fēng )滑(🗺)落谷(🔡)底(dǐ ),比(🔝)從未風(fēng )光(guāng )過更難(🉑)受?(🍃)前曼聯(📪)球星簡(jiǎn )東拿變身潦(😯)倒過(🤵)氣藝術(☕)(shù )家尤利西,那(nà )種時(🎉)不我(🏝)與(yǔ )的(🐕)虛空落寞盡(jìn )在眉宇(🥈)間(jiā(📳)n )。藝術學生蒙(méng )娜欲拜他為(wé(🔤)i )師,反(🤯)過來(🏊)成(chéng )了他重生的(🚱)希望。發(🏎)現(xià(🛄)n )身患絕症後(hòu ),他由蒙(🥉)娜作(zuò )伴,走(🚢)出隱居(jū )大宅,尋(xún )訪(🎊)當年(🕰)被他離(😜)(lí )棄的弟弟及(jí )妻(qī(🛵) )兒,坦(🌧)白致(zhì(🙇) )歉望求寬恕。感性而不(🕴)(bú )感(🍴)傷,碧巴(🔕)(bā )達(dá )以不慍不火(huǒ(➖) )的圓(🐒)熟技巧(➡)呈(chéng )現破碎人生的悲(✅)喜,冷(⛰)(lěng )不防(💵)遇上慌(huāng )失(shī )失劫匪(🍕)來個(⛄)(gè )黑色幽默,也(yě )未忘留下(xià(🙊) )孩子(💦)的善(🐥)良,溫潤人間。
马云(🤾)是马姓(🍡)裴(pé(🤤)i )满氏家族的最后一代(🔩)贵(guì )族,因其(🍵)第(dì )十(shí )三房姨太所(🚀)(suǒ )生(🚞)之子[(🐿)马十(shí )三]天生(shēng )力(🚳)大无(🦏)穷,生(shē(👗)ng )惹是非,被(bèi )马(mǎ )云忍(🕔)痛送(🐨)往(wǎng )武(💚)馆“无双馆(guǎn )”学习攻(gō(🆙)ng )守之(🏩)道。
都(dō(😵)u )说(shuō )男人一有钱(qián )就(❓)变坏(🎾),女人(ré(🥖)n )一变坏就有钱,这句话(🏦)(huà )用(🎦)在张宝文(wén )和(hé )他的秘书身(🍶)(shēn )上(🏤)绝对(👏)合适。张宝文原(yuá(🔂)n )本有一个非(🚚)常(cháng )好的前程和(hé )家(🍊)庭,但是他(tā(💐) )却不珍惜,与自己的秘(🍝)(mì )书(🚝)走到了(♈)一(yī )起(qǐ )。这一段办(bà(🈵)n )公室(🐘)的恋情(😨)导(dǎo )致了张宝(bǎo )文在(🍓)事业(⛺)上和(hé(📃) )家庭上彻底(dǐ )破(pò )碎(👈)。秘书(⏯)的(de )贪婪(🍛)最终落到过街老鼠(shǔ(🛒) )人人(📺)喊打的(de )地(dì )步。当张宝(bǎo )文重(🛑)新回(🍜)归家(jiā )庭的时候,一个(🔯)熟悉的(🆗)(de )面孔(🐹)站在了(le )门(mén )口挡住了(😓)他(tā )的视线(⛑)。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.