简介
某外国城市(📡)，来自韩(hán )国(guó )的(📲)(de )女演员英熙，正(zhè(🐌)ng )因(yīn )为(wéi )和国内(🏨)一个(👈)已婚男(🎣)子(zǐ(⛏) )的恋(🔴)情而备(🤜)受压(🌊)力，她(🗝)放弃了(💊)一切(📤)，甘受(👔)(shòu )千(qiā(💁)n )夫所(💫)指以此表明(🙁)心(xī(😑)n )迹(jì )。他说会(☝)去找(🚸)他，但(dàn )她(tā )并不(👿)相信。在熟识的(de )朋(🍕)友家吃过饭，她去(🚎)(qù )了海边。她认为(🏝)朋友(yǒu )不(bú )会(huì(🥌) )理解这段感情，但(dàn )还(hái )是问道：“他会像我(📂)(wǒ )思念他一样思(🏩)念我吗(ma )”
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
古代有一(🐅)伙劫富济(jì )贫(pí(📸)n )平(píng )乱为民的正(🌭)义强(qiáng )盗(dà(🏓)o )，与一(🖍)伙无(🤗)恶不作(🖍)的海(📬)(hǎi )盗(🤬)，共同得(🚄)知一(📨)条关(🛡)(guān )于宝(🛅)藏的(🗯)消息，但想(xiǎ(🏕)ng )找(zhǎ(😤)o )到宝藏必须(➕)要找(🚹)到(dào )一(yī )位(wèi )女(🐀)孩，藏宝图与开(kā(🎺)i )启(qǐ )宝藏大门的(🎯)钥匙在女(nǚ )孩的(🧀)手中，但女孩在(zà(💄)i )多年前已经消失在那(nà )个(gè )世(shì )界，传闻是(🦍)穿越(yuè )到(dào )了(le )另(🤘)一个时代。
青年季(🔉)(jì )诺在办完母亲(📯)的丧礼(lǐ )后，动身(➡)寻找当年抛(pāo )弃(🏵)(qì )妻(㊗)子的渣(📩)父，却(🚺)只(zhī(👚) )找(zhǎo )到(🐊)(dào )疑(🧢)似小(🛍)三的肚(💽)皮舞(👘)娘(niáng )萝拉。殊(😝)不知(🕶)这位美(měi )丽(🍕)的小(😚)三，二十五年(nián )前(🚜)就是季诺要找的(🌧)「他(tā )」。萝拉当(👎)年的绝情(qíng )缺(quē(♌) )席，让季诺难以释(🎳)怀(huái )。面对毫不知情的儿(ér )子，萝拉尽管心慌(🐜)，也(yě )尽(jìn )其可能(💹)用现在的(de )模(mó )样(🚽)(yàng )爱他。几次互动(🌺)下来(lái )，季诺的心(🏻)逐渐柔软(ruǎn )起来(🌴)。重塑(🌑)自己且(⛪)活(huó(🍋) )得(dé(🤞) )精彩的(⭐)萝拉(🧥)，究竟(🎫)(jìng )会(huì(🗿) )不(bú(😼) )会和季诺出(😸)柜，坦(🛥)承(chéng )自己的(🏹)人生(🐉)故事？
罗(luó )杰、(♓)莉莎、司徒若琳(📔)(lín )三人，被邪恶博(🕗)士抓(zhuā )到(dào )实(shí(👍) )验室，准备利用他(🍒)(tā )们(men )来完成自己基因战士(shì )培养的邪恶计(🐑)划。过(guò )程中三人(😀)身体里面的(de )超(chā(🍌)o )能(néng )力被激活，逃(🐇)出(chū )了(le )实(shí )验室(🔛)。博士一心想着(zhe )自(🐵)己的(♌)邪恶计(😎)划，对(📶)(duì )三(🐼)人穷追(🎲)不舍(🚌)，三人(📠)(rén )在(zà(💃)i )司徒(👄)若琳(⛔)哥哥的(🖋)帮(bā(🗳)ng )助(zhù )下(xià )，暂(😇)时躲(🌤)避了起来，司徒南(🆗)帮助三人提升(shē(🎆)ng )了解自己的超能(📊)力。之后，博士的人(🐢)找到(dào )了(le )他(tā )们(🍘)，三人与博士开(kāi )始(shǐ )了一场战斗。三人能(né(🥏)ng )否逃出博士的魔(🔎)爪？
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.