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An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II
和女(nǚ )友分(🥪)(fèn )手后,一位布(📴)鲁克林的(de )音乐(lè )家回到了她住(🕸)在中西(xī )部的(🐤)(de )妈妈处。她一边(🆖)在家乡(xiāng )游玩(🏏)(wán ),一(yī )边在一(📹)个老朋友(yǒu )的酒(jiǔ )吧演(yǎn )奏赚(🍨)点小钱,一段意(🚰)料(liào )之外(wài )的(🚓)关系开始发生(📵)。
影(yǐng )片讲(jiǎng )述(⛵)新(xīn )晋导演贺(🍘)龙兵回忆起那(nà )段同(tóng )哭同笑(🔌)同青春的高中(🍗)(zhōng )岁月(yuè )。贺(hè(🦋) )龙兵与欧宝、(🚏)宋思明三(sān )人(😏)是(shì )极好的高(🔫)中同学,虽(suī )然家(jiā )境相(xiàng )差悬(🤽)殊,但并不妨碍(🎧)他(tā )们的(de )友谊(🍱),三人平时在班(👸)(bān )上调(diào )皮捣(🛬)蛋,但也都只是小(xiǎo )打小(xiǎo )闹!直(🛥)到后来贺龙兵(🕖)(bīng )偷车(chē )被小(🐀)(xiǎo )混混围堵,几(😀)人打群架(jià )又(🔐)被(bèi )宋思明当(🎻)副局长爸爸(bà )看见(jiàn ),便(biàn )立刻(🗿)要求学校开除(⏯)贺龙(lóng )兵与(yǔ(📐) )欧宝,欧宝一人(📒)担下(xià )责任(rè(🌂)n ),被(bèi )学校勒令(🚈)退学混迹社会(huì )。宋(sòng )思明妹妹(📴)因为告白贺(hè(⚫) )龙兵(bīng )被拒绝(👚),间接导致堕落(🥛)转学(xué );而(é(🌝)r )后又因为陈佳佳,宋(sòng )思明(míng )与(📒)贺龙兵关系彻(🏓)底破裂(liè )。 最(zuì(🐝) )后贺(hè )龙兵考(💰)上大学,在欧(ō(🦀)u )宝的(de )帮助以及(⏲)哥哥的鼓励之(zhī )下,终于走上不(❎)同的人生(shēng )轨(🛴)迹(jì )。如(rú )今他(🏳)重回故乡,埋藏(📢)十(shí )五年(nián )的(🔵)心结终于解开(🧔),兄(xiōng )弟欧(ōu )宝的(de )去世却成为永(🍾)远的伤痛(tòng )!
残(💢)(cán )忍的杀戮在(🚩)露营地展(zhǎn )开(🚼),这一切源自于(🌏)一个被诅咒的(de )面具(jù )。这副面具(🗻)辗转穿梭(suō )于(🏁)每(měi )个角色,将(🤕)唤醒他们最(zuì(👒) )深沉(chén )的欲(yù(🐑) )望。本片内容涵(hán )盖恐(kǒng )怖、性喜剧甚至是音(💯)乐剧,将令(lìng )观(🙋)众深陷其中。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
故(🙏)事(shì )改编(biān )自(🦊)杰(jié )夫·伯曼(🗾)的同名纪实回(🕺)(huí )忆录(lù ),讲述当年他在终点(diǎ(📂)n )等待(dài )参赛(sà(🤩)i )的女友时,不幸(📔)遭遇炸(zhà )弹袭(🌖)(xí )击,失去双腿(🚧),并重(chóng )新生(shēng )活的个人经历。
A group of kids travel to an abandoned island for a party only to discover that they are being stalked and hunted down by a dangerous predator.
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
奧(🧓)馬爾(ěr )在倫(lú(😑)n )敦過(guò )着富裕(🥨)生活,還有一(yī(🌰) )年就(jiù )大學畢(🍨)業,一 切看似安(ān )好。然後(hòu )忽然一天感召來(lá(🧥)i )了,他無(wú )法再(📬)忍受波斯尼亞(💟)大批(pī )穆斯(sī(🔥) )林被虐殺的報(🛫)道和影(yǐng )像,要(🤬)做(zuò )點什麼改變世界。真人(rén )真(📭)事(shì )改編,呈現(🐯)恐怖份子(zǐ )的(🍵)成(chéng )魔歷(lì )程(⛓);不從英美主(🤯)流角度(dù )去看(kàn ),也不全循伊斯蘭觀(guān )點,究竟(🛂)可以折射出一(🎤)幅怎(zěn )樣的(de )圖(🚛)像(xiàng )?觀眾跟(😍)隨攝影機見(jiàn )證奧(ào )馬爾在巴基斯坦山區受(🔝)(shòu )訓,在新(xīn )德(🚷)里綁架視為沉(🤨)(chén )默同(tóng )謀的(🕴)(de )歐美遊客,策劃(🧢)謀殺《華爾(ěr )街(🏐)日報》記者,以致(zhì )最後(hòu )就擒(qí(🕙)n )。的確,人在做天(🌓)在看(kàn ),問(wèn )題(🥁)是哪一個天在(🏬)看。