A struggling novelist moves his wife and young son to an old country home where he intends to write his next bestseller, but when a presence begins to communicate with his son, the tortured family must fight to escape an evil that threatens to doom them to the house for eternity.
林可馨,杂志社(shè(🔄) )白领(lǐ(🎸)ng ),正打算(🖥)从繁忙(🆚)(máng )工作(😯)(zuò )中回(💱)归(guī )家庭生活之时,却遭(zāo )遇婚(hū(👝)n )姻与事(🕸)业双重(📬)麻烦(🐎),丈(👂)夫与(❎)(yǔ(♋) )其他(tā )女性(xìng )的暧昧、上司的自由观(guān )灌输(🤘)(shū )、暖(🚷)(nuǎn )男作(🐕)家秦皓(⛷)的闯入(🔑),稳定的(🐅)(de )生活(huó(🦑) )受到各种抉择,经历(lì )各种打(dǎ )击(🎎)之(zhī )后(🥢),柔弱(😓)的(🗼)林可(🆗)馨(🗄)选(xuǎn )择了勇(yǒng )敢面(miàn )对。
妻子失踪,丈夫(fū )(孙正(zhèng )宇(🌃))寻找(🏵)妻子多(🚽)年,却意(👡)(yì )外的(🌎)卷(juàn )入(🐤)了(le )一宗刑事案件,孙在(zài )寻找妻(qī(✉) )子的过(🐙)程里发(🧀)现了(📉)一(💍)(yī )个(😍)贩(🏔)(fàn )卖人体器官的(日本)组织(zhī )并深(shēn )入调(🥗)(diào )查,自(👖)己却身(🆗)陷重围(🤒),最后(hò(👠)u )协助(zhù(🌟) )追捕自(🍽)己的警官刘武火击败(bài )犯罪(zuì )分(⬜)子并救(🐄)一个(👨)面(🙇)临死(🍧)(sǐ(🎻) )亡的小(xiǎo )女孩(hái )儿……
一段横跨二十(shí )年的恩(ēn )怨(🧢),让沉实(👗)稳重的(🆙)赵智勇(📌)(yǒng )卷入(🤥)了(le )一场(🐴)(chǎng )离奇的武术纷争。作(zuò )为双手(shǒu )洪拳(quá(🌿)n )武馆的(📅)当家(🗂)大(😕)师(shī(⛔) )兄(🐤),赵大勇(yǒng )不但表现出非凡的武(wǔ )艺,而且还以(🕒)高尚的(🔈)武德扭(🔫)转乾(qiá(💛)n )坤,并成(🚯)(chéng )功化(😵)解了武(🍃)馆一段陈年(nián )恩怨(yuàn )……而赵大(🗯)勇的少(📒)年老(🤑)成(🦂)以及(😨)平(🏣)(píng )实谦(qiān )虚的作风,却令其爱(ài )情道路(lù )曲折(shé )连连(🦔),但最后(🧢)还是以(🆗)(yǐ )实际(📞)行(háng )动(🌺)赢(yíng )得(🕎)芳心,收获爱情。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
隔壁住(zhù )的三(sān )个半熟女(🏵)似乎偷(🐑)(tōu )偷(📸)的(🐿)(de )在各(✨)自(👟)(zì )房间做着不可告人的(de )囧事(shì ),而这(zhè )些是石头没日(🦋)没夜偷(🏀)(tōu )窥得(🆗)(dé )出的(📡)结论。深(🏮)知一人(🐝)技薄的(de )石头(tóu )为了(le )满足好奇,挖掘(⌛)更多半(✖)(bàn )熟女(🎿)(nǚ )们(🦌)的(😇)(de )私生(🌬)活,拉拢室友钱芳和柳(liǔ )木加(jiā )入,三个冲动期的(💜)屌(diǎo )丝(🚈)男面(mià(🦑)n )对隔(gé(🤮) )壁的长(💅)腿姐姐(👴)、知性(xìng )御姐和(hé )甜美(měi )萝莉,引发出了(🔤)一连(liá(♌)n )串让(💐)人(🐄)(rén )脸(✳)红(🗡)(hóng )的尴尬囧事。
1891年(nián ),后(hòu )印象派(pài )大师保罗·高更在(🔅)巴(bā )黎(😉)的(de )艺术(🔧)圈(quān )已(🍢)小有名(🦎)气,但为(⛱)文(wén )明社(shè )会的虚伪与矫情感到(📕)厌烦。对(📉)于(yú )原(🗣)始(shǐ(☕) )世(🍠)界的(🐰)渴望驱使他离开(kāi )家中(zhōng )妻小(xiǎo ),来到南太平洋(🔉)的大溪(📝)地;准(🚱)备(bèi )好(🙅)为追寻(🎍)已久的(🍹)自然(rán )、野性(xìng )、纯(chún )粹的生活与创作(🤛)环境(jì(⛩)ng )牺牲(🍾)一(⛲)(yī )切(🔈)。忍(🚋)受着经济上的贫困(kùn )和精神(shén )上的(de )孤寂,高更走进(jì(📀)n )丛林(lí(😡)n )深处,认(🍋)识了当(🥤)地的毛(🏫)利人(ré(🙁)n ),邂(xiè )逅了原住民女孩德胡拉;一(🚌)(yī )段三(🥞)(sān )角关(🕕)係也(🍄)若(📈)隐若(🛬)现地缓缓浮(fú )出。这座(zuò )远方岛屿彷佛是他灵魂(👛)的故(gù(⏺) )土,此处(🚑)充满生(👤)命力的(🥡)人物面(🥃)貌(mào )与地(dì )景线条都成为他的缪(miù )思,激(🗓)(jī )发他(💅)(tā )创(😧)作(🏍)出艺(⏪)术(🐹)生涯中最(zuì )具标志(zhì )性的(de )大师之作。