哥俩好1.

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

巴勒(lè )斯坦電(diàn )視(shì(🛌) )台(🔇)攝製(🛍)臥底肥皂劇，連以色列(liè )婦(👪)孺都(🚨)晚晚追看。編(biān )劇(jù(🕯) )因(🚴)情節(🥎)(jiē(🕹) )背(bèi )離革命而辭職(zhí )，監(🎴)製(zhì )的多口侄仔助理受命(👲)執(zhí(🏘) )筆(🐭)，頻(pín )頻(pín )借女角之口，向(📞)電視(shì(🦂) )機前的舊(jiù )愛示好(🌤)，以色(🍰)列(🍗)檢查(chá )站(zhàn )軍官則(zé )企(🔊)圖恃權(🕦)影響(xiǎng )劇情發展(zhǎn )，以便(❕)在(🚮)追看(📿)的嬌妻面(miàn )前自吹(💴)(chuī )自(zì(🤠) )擂。助理即使槍抵腦(nǎo )殼(⤵)，都(🛵)不(bú(🈷) )肯接受軍官要(yào )求的大(dà(📲) )團(tuá(🐣)n )圓結局。抗爭，必須(xū(🦖) )繼(🚬)續！影(🤭)(yǐ(🤖)ng )展新秀蘇亞比巧妙調侃(🤑)(kǎn )以巴關(guān )係(xì )，他的喜劇(🍯)座(zuò(💙) )右(🗂)銘是(shì )：要能大笑，必須(🏴)面對(duì(🏭) )苦痛，並(bìng )與之周旋(📇)。獲威(🐠)尼(🥂)斯(sī )地平線單(dān )元最佳(🎀)男主角(🦄)獎。

ユミは夫と娘の３人(🍡)暮(🏩)らし(🌑)。近々引っ越しを考(😰)えてい(🍡)る。ユミは娘のレイナが(💾)時(🍆)折う(🌕)わ言を発(fā )することが、(♑)少々(🧔)気(qì )にかかってい(🐜)た(🌉)。転居(❎)(jū(⏹) )の報告も兼ねて友人ヒ(🎌)ロミと久(jiǔ )々に再(zài )会(huì(🐏) )する(❗)ユ(🛥)ミ。話(huà )題はいつしか「(➖)あの日(🙃)」のことに。「私た(🤵)ちが(😵)埋(♓)めた時、本当に死(sǐ )ん(💻)でたの(🏭)かな？」。ユミは「あの(👏)日(🕖)」の(😳)ことを清算(suàn )すべ(🥣)く、サ(🤲)エ、アコにも再会(huì )を(😘)決(📳)意し(⚽)、廃墟のような家に一(yī(🛠) )人で(🔼)住むサエに会いに(🎦)行(📳)く。サ(🛂)エ(👒)は、見知(zhī )らぬ少女(nǚ(🤵) )が現れて娘だと言って聞(🔑)かず(⚓)、(🚞)しばらく一緒(xù )に暮ら(🐁)してい(🗾)たが死んだこと、(🛢)そし(😼)て(💍)少女は死んだままその(🐂)家の３(🛰)階に寝かされていると(🔐)い(📚)うこ(🏊)とを話し出す。(C)「黄(🔽)泉(quán )が(✡)える少女」製作委員(yuá(🌷)n )会(🕔)

With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family

《大(dà(🌤) )漠(mò )巾帼情》由国家林业(yè(😺) )和草(😧)原局(jú )、中共榆林(📸)市(🎍)(shì )委(🚊)宣(⛅)传(chuán )部(bù )、中共榆阳区(🐌)委、榆(yú )阳区人民(mín )政府(🚗)、中(💩)共(🏚)榆阳区委宣(xuān )传部联(liá(😠)n )合(hé )摄(🔞)制，影片以(yǐ )榆阳区(⛱)(qū )补(🧝)浪(👐)河女子民兵治沙连(lián )为(🗳)故事(shì(👻) )原(yuán )型，讲述了治沙连四(🐪)(sì(🎓) )十多(👧)年来(lái )坚持治沙造(🏩)林的感(💥)人(rén )事(shì )迹，治(zhì )沙连的(➕)女(🍜)兵们(🗣)(men )用(yòng )自己的(de )青春，在毛乌素(🍪)沙漠(📽)中(zhōng )，谱写(xiě )了(le )一曲(🛏)绿(💅)色的(🏬)乐章，讴(ōu ) 歌了治沙(shā )连艰(🚍)苦奋斗、自强不(bú )息(xī )的(🧗)治沙(😇)精(🐒)神，弘扬了(le )继往开来(lái )、(🐺)薪火相(🅾)传的革命传统(tǒng )。

牧(🚷)江(jiā(⛷)ng )村(🦀)(cūn )郊野山藏有一(yī )怪，赤(😔)(chì )面獠(📃)牙，名曰垃圾人，他身世(shì(👓) )神(📅)(shén )秘(♏)，以垃圾为食，日(rì )遇(👐)村妇马(🛄)(mǎ )秀娟，将其掳掠。马(mǎ )秀(😁)(xiù(🐷) )娟通(🐑)过(guò )与垃圾人的交(jiāo )往(wǎ(🏎)ng )，发现(👕)(xiàn )他虽丑陋骇人，却(🐰)心(🎅)地(dì(💞) )单纯。但(dàn )天不遂人愿，“单纯(🍢)(chún )”的垃圾(jī )人却将马秀娟(〽)(juān )视(🚹)为(😠)配(pèi )偶(ǒu )，囚于废弃厂房(🏼)。矿(kuàng )山(🆙)老板徐(xú )东南徐西(💸)北两(🕠)兄(🚎)弟欲借(jiè )炸山除(chú )垃(lā(🌊) )圾人之(🛐)名在野山非法(fǎ )拓矿，全(🕷)然(💢)不顾(🥫)马秀娟(juān )安危。而(é(🚢)r )垃圾人(🕙)通过马秀娟逐(zhú )渐了解(🎣)人(🍱)(rén )类(🌡)的尊重与爱，遂将(jiāng )其(qí )放(👮)归牧(📔)(mù )江村。马秀娟得(dé(🎵) )知(🔑)徐东(🐃)(dōng )南阴谋后为救垃圾人与(🚿)(yǔ )之抗争(zhēng )，最终被绑于山(🚺)上，垃(⏯)(lā(🃏) )圾人为救(jiù )马秀娟与徐(🍩)东南死(🔔)命(mìng )相(xiàng )搏，后被徐(✡)东南(🗜)炸(🐷)死(sǐ )。环保组(zǔ )织声明垃(🔯)圾人出(🙎)现乃牧(mù )江村的(de )环(huán )保(⛱)意(💣)识薄(🔕)弱之恶果，垃圾人本(🖊)无罪，罪(💦)在人(rén )心对环(huán )境(jìng )的(🔒)态(🐖)度，并(🚿)呼吁民众(zhòng )善待环境(jìng )。

在(🌴)法院(🚊)擔任公設辯(biàn )護(hù(🐂) )人(😌)的李(🥙)(lǐ )慧貞，接任一樁(zhuāng )由名律(🌋)(lǜ )師(🤳)王國超中途解除委任(🎱)(rèn )的(⏭)青(😉)少(shǎo )年(nián )殺人案。

“我的一(🐁)生(shēng )中(🍮)只害怕(pà )一件事，就(👭)是有(🍄)一(💝)天(tiān )，黑色会吞没红色。”

喧(🎴)嚣的都(🎍)(dōu )市中，在碟店打工的男(🎟)(ná(🤾)n )主角(🔹)阿(ā )正(zhèng )与都市白(🍫)领小美(🎇)邂逅(hòu )，两颗寂寞的心渐(♈)渐(🌝)走(zǒ(🔳)u )近,直至(zhì )两(liǎng )人之间的交(🈹)往被(🚲)一个(gè )中年男人(ré(🔟)n )发(🍉)现，阿(⏫)正被其找人(rén )暴(bào )打之后(⚫)(hòu )，两(🏔)个带着创伤(shāng )的身体(➕)(tǐ )才(👳)最(🏨)终越过了底线。 阿(ā )正天(🦏)真(zhēn )地(🦆)(dì )认为这种暧昧关(🌴)系即(🍪)(jí(👘) )代表着一(yī )种情感的承(📭)诺，而小(😤)(xiǎo )美(měi )或许只是将其作(🚛)为(㊗)一(yī(♌) )种愧疚下(xià )的补偿(🔽)、一段(🐣)临时的慰(wèi )藉，甚(shèn )至(zhì(🏉) )从(🔈)未对(🤜)阿正产生过所(suǒ )谓的的“爱(🥜)”。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.